Essay: Thank You, Rob Zombie - From La Sexorcista to Halloween II
When I was in the 8th grade, I picked up a copy of White Zombie’s La Sexorcista: Devil Music Volume 1. Led by techno-acid-horror-kitsch-retro-art singer, Rob Zombie, it was a take on rock I hadn’t heard before. I still love that album and all other Rob Zombie music projects that followed.
When I was 25, I watched House of 1,000 Corpses and The Devil’s Rejects back-to-back under some very strange, sweaty circumstances. *giggity* When I look back on that evening, the circumstances are condemnable at least. However, the movies are not. 1,000 Corpses and Rejects raised the bar for the slasher flick in a way that Hostel and Saw tried at but failed. They played on the basic vulnerable “this could happen to anyone at any time under any circumstance” horror that the original Texas Chainsaw Massacre parlayed. That’s how I saw it anyway. Plus, Hostel was retarded as shit and the Saw series became too formulaic. I’ll take Otis Driftwood quoting Charles Manson and wearing your face over Jigsaw the handicapped sadist any day.
Anyway. Rob Zombie proved (especially with The Devil’s Rejects) that horror is still alive and well if dealt with properly.
Then Zombie did something I wasn’t sure I approved of. He sought to remake Halloween. What the hell, right? I learned about this at the same time that there were talks of remaking Cronenberg’s The Fly (and don’t say it’s a remake of the Vincent Price film, or I will…I don’t know…snap your arm in an arm wrestling match).
Okay, I didn’t just disapprove. I was pissed. Great! They’re remaking The Fly, possibly my favorite horror movie of all time, and now Rob Zombie is remaking Halloween. Fucking great, Rob. Now I have to hate you.
He totally passed, though. What an amazing job. He didn’t just “re-shoot” Halloween like Psycho was reshot but with color in the late 90s. Instead, he paid tribute to the original, reinventing the story from a different and brilliantly shocking angle. A true reimaging. Both Halloweens are now seperate and wonderful entities.
Halloween was amazing. It helped sweeten the soured taste in my mouth of all of the Ringesque movies that promised so much but delivered nothing.
And now, Halloween II is set to chop into the minds of pop horror buffs once again. August ‘09, putos. I am so excited about this. I watched the preview, and I am already sold.
I’m not even second guessing the man again. A few years ago I said that Rob Zombie may singlehandedly bring back horror. I’m going to go ahead and retract that statement, especially since Sam Raimi of Evil Dead fame just unleashed Drag Me to Hell. But I think Rob Zombie is going to be a MAJOR driving force in the reinvention of good horror.
Thanks Rob Zombie. Keep it up.
-David C. Garcia “ain’t goin’ nowhere, bitch.”










